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![]() ![]() The high carbon content stainless is easy to sharpen and maintains its edge longer. They are finished in a beautiful, gray Cerakote, high-temperature ceramic finish over an incredibly sharp, 8Cr14 stainless-steel blade. KastKing Spartacus fillet and food prep knives are a professional quality tool that you can count on for all fish and game processing. These professional level knives will provide years of service and will quickly become your favorite tool for filleting fish, boning meet and processing any food. Perfect for Fresh or Saltwater – KastKing Spartacus fillet, processing and food prep knives are perfect for all fresh and saltwater applications or for use in the kitchen.Unlike fabric cases that retain water and cause corrosion, our molded case allows water to drain from the case and air flow to circulate which keeps blades in top notch condition between uses. ![]()
![]() She won’t want her voice sounding too high and thin!įrom an instrumental point of view, both electric and acoustic guitars sound naturally good in keys like E, A and D because their string tunings ‘fit’ well with those keys. But your favourite female singer is likely to enjoy working in a lower key, like D-or even C if she is an alto. ![]() A male singer with a strong tenor range voice might prefer to sing in a key like G or A major, where the natural ‘tessitura’ or range of the melody might often lie above middle C. “Music can name the unnameable and communicate the unknowable” But what's the best key for your guitarist or bass player? What other considerations are there? In this tutorial we help choose the perfect key. To convert any of them into the minor 7 chord of the same root, simply lower both the 3 rd and 7 th a semitone.Īdding a few 7 chords into your progressions is one of the simplest tricks you can use to give your tracks an authentic deep house feel.Ever wondered what the best key for your song might be? From a practical point of view, the vocal range of your singer will obviously need bearing in mind. To help you get started creating your own progressions, here’s a list of all possible major 7 chords. Altering the chords’ structure in this way keeps the notes closer together, helping the loop ‘flow’ and creating the descending E, D, C melody on top. For the A minor 7 chords, we’ve moved the 7 th down an octave. In our final loop we have a simple minor chord progression A minor 7, E minor 7, D minor 7, colour-coded as before: root, 3 rd, 5 th, 7 th:Īll the chords are still constructed using the root, minor 3 rd, 5 th and minor 7 th, but we can see that the structure has been changed slightly. Notice that the 7 th from each chord is left in. The chords essentially sound the same, but they’re now a lot more clearly defined and will also be easier to mix. To make the progression cleaner and easier to follow, we could even get away with deleting some of the notes: The string loop on its own sounds like this: īy concentrating on the lower notes here, we can see that the basis for this chord progression is the sequence F minor 7, Ab major 7, C minor 7. Notes highlighted in red aren’t in the basic chords, but are added on top to form a simple melody. Here we’ve transcribed the string loop from the intro, colour-coded as before: root, 3 rd, 5 th, 7 th. This time, we’ll focus on the MAW Dub mix of Masters At Work’s deep house classic ‘To Be In Love’, first released in 1997 and remixed and re-released countless times since. Now let’s look at a more complex example. The result is a very simple but effective chord progression: Masters at Work Here in the piano roll for the loop we’ve colour-coded the notes: root (purple), 3 rd (blue), 5 th (yellow) and 7 th (green). In our first example we hear just two chords: an F major 7 and an E minor 7. Let’s put this theory into practice with a very basic four-bar deep house loop. ![]() While the C minor 7 chord would contain C, Eb, G and Bb: 7s in deep house ![]() So, the C major 7 chord would contain C, E, G and B: As shown above, in a natural C minor scale, the 7 th is a Bb, whereas in a C major scale the 7 th is B. The presence of the major or minor 3 rd determines which note forms the corresponding 7 th of the chord. The difference between major and minor scales can be seen and heard here: Going back to basics, a scale can either be major or minor. In this article we’ll explain exactly what 7 chords are, how to construct them and finally how to use them in your own productions.Ī 7 chord contains the root note, the 3 rd, the 5 th and the 7 th of the scale. One of the trademark characteristics of deep house is its use of jazz-influenced minor and major 7chords, helping to give tracks a strong chord-led feel. Practically every genre of music relies on its own set of techniques, tricks and quick cheats to help create a distinctive sound. Our composition expert explains a simple technique which will help you create deep house chord progressions with ease. ![]() ![]() ![]() El álbum fue reconocido como el mayor debut pop del 2002. Se trasladó a Los Ángeles, California y comenzó a grabar material para el álbum, pero el estilo de la música no era del tipo que buscaba la discográfica, y tuvo que replantear su visión del álbum junto al equipo de producción The Matrix. Durante un año, después de firmar un contrato discográfico con Arista Records, Lavigne tuvo que lidiar con los conflictos de la dirección musical del disco.
![]() ![]() Sorry but Libbey glassware is not available blank. Many of our bar and beer glasses are Libbey glassware or made by ARC. We offer high quality glassware at low discount factory dirct pricing. Should you have any questions about our customized bar glasses, please don't hesitate to contact us. Buy them blank or stock your kitchen cabinet. Some of our most popular barware items include personalized shot glasses, pint glasses, and pilsner glasses. Custom Printed Party Favors These versatile glasses are great for restaurants, corporate parties, wedding favors, party favors and proms. The glass has a subtle flat foot that delivers extra stability to keep it poised. This set includes four 14.5-ounce beer glasses. This line of personalized barware can be imprinted with your event or corporate logo. Featuring a classic, slender European design, the Libbey Stockholm Pilsner Beer Glass is ready for a perfect pour from your favorite beer - whether it be Kolsch, Lager, Bock, Hefeweizen, Witbier, or Pilsner. At a 40-50% Savings, our promotional glassware includes a large selection of imprinted beer glasses, printed shot glasses, pilsner glasses, custom pint glasses, and wide variety of other custom glassware. ![]() Printed Glasses, Factory Direct by, is the way to go when you want to buy advertising glasses to help promote your business or event. ![]() ![]() ![]() IV's Focus and Ultra Combo modes have been replaced with a simpler but just as effective V-Trigger attacks. Whether it was muscle memory or the easy to learn tutorial mode, fighting felt effortless and, well, very Street Fighter. Thankfully, it is there - it's something that Street Fighter V excels in. It can only do this if the gameplay is there. Fighting games are the easiest way into eSports for the casual gamer and Street Fighter, quite justifiably, wants to be on the top of the beat-'em-up list. ![]() In the brave-newish world of eSports, this makes a modicum of sense. It wants you to go online and build up your fighting prowess. Street Fighter V doesn't want you to waste time pounding an AI opponent. If you want to play against the computer, then it's either Story mode or Survival, the latter of which gives you one life bar and lets you see how many opponents you can beat. An Arcade mode is the least you expect from a fighting game it's the backbone, and it's suspiciously missing. That's right, Arcade mode is nowhere to be seen. Given that it's currently stuck in 'so easy, you could do it blindfolded' mode, this option would have been nice.Ĭapcom is promising to bolster this mode in the Summer which is all fine and good but I would have preferred they launched without it and added an Arcade mode instead. You can't change the difficulty of Story mode, either. When you complete each fighter's story you do unlock a new costume that you can purchase from an in-game store, but Capcom has currently forgotten to open this store. ![]() Okay, I button skipped some of the 'story' but mainly because I was bored. It took me a touch under two hours to complete all 16 Story Modes. I was expecting the PS4 to pipe out beautiful animated anime to intersperse the fighting but there's nothing. The story itself changes from character to character, but it's told in static comic-book anime style. At most, you get to fight four times in Story mode and it's just one fight. Seven fighters from Street Fighter II have survived the many changes the franchise has gone through, so I inevitably started with Ryu to see how good the Story Mode is.įor a start, it's far too easy. In Street Fighter V, there are (currently) 16 playable characters. What I really didn't expect was that the wait for the day one update to download was actually longer than it took me to complete ALL of the game's Story modes. The update did bring with it PS3 controller compatibility, which is a good move given the price of PS4 controller but no one likes playing the waiting game, because the waiting game sucks. Instead of fighting, I was watching a loading bar and making a cup of tea.
![]() ![]() Graphical Performance - Zooming and scrolling in large projects has been improved. Stereo Delay, De-Esser and Roomworks - New plug-ins for Cubase Elements. Safe Start Mode - Initiate Cubase without any third-party plug-ins loaded. LUFS Normalize - Choose to normalize by either dB Loudness Unit (EBU R128) or by setting dBFS Max. The Macro creation - Create Macros faster with new improved functionality. The Score Editor - Powerful new features and improvements. Retrospective MIDI Record - Capture your MIDI input, even when you have not started recording. Import Tracks from Project - Exchange data between projects, or create new project templates, more easily.Ĭombine Select Tools - Work faster with objects and ranges using one powerful tool. Padshop 2 - Even more creative tools and sonic inspiration.Ĭolorized Mixer Channels - Instantly find the channels you are looking for. MultiTap Delay - for musicians with a range of inspiring creative options. Video Export Render - Render videos as MP4 (H.264) with 16-bit stereo audio. Spectral Comparison EQ - Clean up your mix more accurately. Whether you are looking for creative inspiration or new ways to speed up your professional workflow, the new features in Cubase 10.5 specifically cater to your needs. For the best recording studio experience and mixing software, you need look no further than Cubase 10.5 and Cubase Pro 10.5. Featuring major workflow improvements and many significant improvements from previous versions of Cubase, this music recording software brings the best workflow and most advanced music production to the worlds of Mac and Windows PC recording for the home studio and professional facility.
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![]() ![]() They took a song with the lyric "you hear the thunder of stampeding rhinos, elephants and tacky tigers" all the way to No 2, and made it seem natural. Sparks were the late great glam flash: tricky, artificial, super-hooky and high-concept, with a hard rocking band and definitive high gloss sleeves. 17 Sparks, This Town Ain't Big Enough for Both of Us April 1974 Quatro had gold-plated garage credentials – her first band, the Pleasure Seekers, had recorded What a Way to Die in 1966 – and this, her fourth hit (No 1 for two weeks), mixes rock'n'roll with a hint of the Burundi beat, while continuing the explosive club/ballroom theme of the time with a hint of autobiography. ![]() 16 Suzi Quatro, Devil Gate Drive January 1974 Mud yocked it up on Top of the Pops with ludicrous flares and a spot of aceing – the biker's dance, shoulder to shoulder – and the future Sex Pistols were listening. ![]() Written by the Sweet svengalis, Nicky Chinn and Mike Chapman, "Dyna-Mite" stays firmly within the ballroom – glam's central location – during this relentless stomper. Unstoppable and still thrilling: the contrived becomes real. The Sweet were on a roll after Blockbuster and this may well be the archetypal glam song: teenage hysteria – check camp interjections and beyond over the top TV costumes – check a stomping beat, tough guitar riffs and a fey vocal – check. 14 The Sweet, The Ballroom Blitz September 1973 It being 1973, of course, there could only have been one question: "Uh, how do you call your lover boy?" In the US, they didn't answer. Simultaneously ludicrous and tough, sloppy and hard, vicious and tender – just listen to those soaring, girl-group harmonies – Trash was, along with Jet Boy, the Dolls' big pop move. Three years later, it would find its time. Iggy wore silver, the Stooges were produced by David Bowie, the record sounded glam – all treble tones and slicing guitar – but Search and Destroy, like its parent album Raw Power, went much further and deeper than hardly anyone wished in 1973. 12 Iggy and the Stooges, Search and Destroy June 1973 It could have been any of the four top-two hits that T-Rex had in 1972 – particularly Metal Guru – but this was the toughest of them all: a furious rocker with a heroic riff that showed, plain for all to see, just how well Bolan understood the nature of pop fame – 20th century toy, I wanna be your boy. With its stomping tunes and rock'n'roll roots, glam was huge on the continent – blending, as it would, into Europop – and this is a great entrant from Holland, featuring Beach-Boys' style backing vocals, terrace handclaps, and of course the ever-present Chuck Berry riffs. 10 Bonnie St Claire, Clap Your Hands and Stamp Your Feet May 1973 "For Your Pleasure" – with model and singer Amanda Lear on the cover – is one of the period's few coherent albums, and this 120mph rocker is one of its hidden pleasures: a camp-saturated male bonding song, featuring ooohs, sirens, and the immortal line, "boys will be boys will be boyoyoys". Vicious begins Reed's second solo album in exactly the way that you would wish, with the poet laureate of Manhattan spitting out the Warhol inspired lyrics – "Vicious: you hit me with a flower" – while Mick Ronson, cutting through everything, embodies the song's threat. The musicians curled and uncurled around Ian Hunter's snarling voice: "Oh is there concrete all around/ Or is it in my head." 6 Lou Reed, Vicious November 1972Īnother Bowie production, and another career revival. Chock-full of pop art and pop culture references, Virginia Plain was nothing less than a manifesto for a new age: "So me and you, just we two, got to search for something new." 5 Mott The Hoople, All the Young Dudes July 1972īowie may have provided the raw material, but Mott gave the definitive performance of this generation-defining song, with its sneering reference to the Beatles and the Stones. With Bryan Ferry's ultra-stylised performance and Eno's other wordly synth shrieks, this one definitely arrived from Planet Mars in the late summer of 1972. School's Out was a definitive entrant in the teenage rampage stakes and scored hard with the kids, hitting No 1 for three weeks in the summer holidays. 3 Alice Cooper, School's Out April 1972įrom Detroit by way of LA, these hard rockers had been wearing makeup and frocks since 1969, so were well-suited to the glam imperative. Mick Ronson's guitar slices through everything. He did his best to make it happen with this Velvet Underground tribute, saturated in homosexuality and Manhattan sleaze. "There should be some real unabashed prostitution in this business," Bowie told Cream magazine in late 1971. His Top of the Pops performance showed him going truly imperial, with flying-V guitar, pink trousers, silver jacket and, prompted by his friend and colleague Chelita Secunda, glitter on his cheekbones. Marc Bolan's third huge hit in a row, No 1 for four weeks. ![]() ![]() ![]()
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